Tuesday, 23 December 2014

Best Albums of 2014: 1. Dude Incredible - Shellac (Touch & Go)

The news that there was a new Shellac album coming out this year was exciting enough, but we had no right to expect anything as good as this.  Steve Albini's masterful three-piece deliver a consummate studio tightness that ranges across this collection to make ever song on it a perfectly manicured delight.  The title track and opener is such an exquisite example of how to do it with guitar and drums that, on first listen, you suspect it might have peaked too early.  But Shellac deliver the same glorious punch on every track and when it ends you just want to hear it again and again.  Which is basically what I've been doing.  It takes a great album to keep that Half Man Half Biscuit LP off the top spot this year, and this is a great album.

Thanks for following this run-down.  Don't forget though that the only end of year chart that really counts is the official festive fifty and that can be heard from midnight on Xmas Eve (UK time) at www.dandelionradio.com, with repeat broadcasts throughout the rest of the year and during January.  

Monday, 22 December 2014

Best Albums of 2014: 2. Urge for Offal - Half Man Half Biscuit (Probe Plus)

When Half Man Half Biscuit came to our attention gloriously in the mid-eighties, I recall someone commenting that it was unusual for music that was essentially humorous to retain an interest long after a few listens.  Half Man Half Biscuit aren't just still doing that; it's got to the point now where, often, the humour is buried quite far within the music so what you get hit with first is the quality of the thing before the comedy hits you after a few listens to deepen the effect.

This is certainly true of Urge for Offal where the references are more obscure and oblique than ever at times and where no musical idea is sacrificed for a laugh.  One of the many great things about this band is that they've never done that, but now they're not doing it better than ever. 

Sunday, 21 December 2014

Best Albums of 2014: 3. Too Drunk To Pluck - The Pukes (Self-released)

The most refreshing release of the year.  If the concept of a bunch of mainly female punk fans donning ukuleles and knocking out a load of covers alongside some original tunes seemed intriguing, we really had no right to expect it would come out as good as this.  It works partly because of the band's original selections - only The Ramones and Dead Kennedys tunes on here might be called obvious choices - and partly because they clearly do what they do out of a sheer passion for doing what they like.  So there's no grotesque tribute band parading here - just an unvarnished, infectious and highly enjoyable collection of tunes put out in the original spirit of punk.   It's a no-cynic zone - so abandon any pretensions you might have and dive in.

Saturday, 20 December 2014

Best Albums of 2014: 4. Blue Thirteen - Huerequeque & Threes and Will (Blue Tapes)

I probably didn't pay enough attention to the Estonian music scene.  While this release has encouraged to do so, I still haven't found anything anything like as good as it in my searches.  Then again, I've not found much to match it in the rest of the world either.  Blue Tapes long ago established themselves as one of the best sources for astonishing music on the planet and, with Katie Gateley's single last year, they placed themselves close to the top of my list of favourite record labels.

This pushed them even further up, a torrent of spectacular noise that manages to be abrasive and yet contain enough subtle manipulations to crank itself up into new areas when you'd begun to suspect there was nowhere else it could possibly find to go.  An astonishing release from two astonishing bands on an astonishing label.

Tuesday, 16 December 2014

Best Albums of 2014: 5. Commune - Goat (Rocket)

I was slow picking up on Goat when everyone else seemed to be salivating over them a couple of years ago, so I thought I'd get off the mark quicker this time round and I'm certainly glad I did.  The way they get depicted at times you could be forgiven for anticipating a kind of inaccessible Scandanavian cosmic slush to pour out of the speakers.  That's not to say there isn't some of that in there, but the groove it rides in on is utterly irresistible so the end product that is 'Commune' sounds both not of this planet and the most earthy thing you ever heard in your life.

Sunday, 14 December 2014

Best Albums of 2014: 6. Kid Face - Samantha Crain (Full Time Hobby)


Samantha Crain provided two of my most memorable experiences of the year.  The second was her mesmerising set at this year's Green Man Festival in August; long before that, Kid Face had already established itself among the finest albums of 2014.  Crain's songs exude a fractured melancholy, with subject matter so emotionally fraught it's compelling in the way watching a disaster unfold is.  But they're wrapped up in a gorgeous melodic sheen and delivered by a voice that's two parts angel and at least three parts all too human, and the overall effect is to provide, if not an airlift to safety, then at least a powerfully glowing humanity amidst the wreckage.

And yes, I'm aware that in some parts of the world this release was available in 2013, but it didn't reach me till this year so I'm going with that.

Saturday, 13 December 2014

Best Albums of 2014: 7. Fuck Off Get Free We Pour Light on Everything - Thee Silver Mt Zion Memorial Orchestra (Constellation)

In a fine year for Canadian music in general, this band set an early standard with one of a couple of albums (the other is coming to this list soon) that lit up the early part of 2014 before the year really got into its stride later on.  Few bands can bring together the varied influences and styles this band do and not only get away with it but pull it together into an exhilarating whole.  On this, their seventh album, they took this process to even greater heights.

Friday, 12 December 2014

Best Albums of 2014: 8. Endgame - Ital (Planet Mu)

No knob-twiddler in the world consistently fascinates like this Brooklyn-based producer and this year Ital produced his most consistently thrilling work.  If Endgame places an emphasis on audience discomfort, it's of the kind that can only do you good as repeated listenings lead to the discovery of a strange sensory department where pain and pleasure meld into one and then simply become redundant terms.  Techno meets psychedelia and, if you think that particular avenue has been explored enough, cock an ear to this and think again.

Wednesday, 10 December 2014

Best Albums of 2014: 9. Ultima II Massage - Tobacco (Ghostly International)

Sacrilege to some, I know, but this third solo release by the Black Moth Super Rainbow front man trumps anything his band have done and anything he's released previously on his own.  It's the album you (or at least I) always wanted him to make, uninhibited and gloriously free of any artistic restraints.  We finally saw Tobacco unleashed on the world in all his naked (in a manner of speaking) glory.  More of this, please.

Monday, 8 December 2014

Top Albums of 2014: 10. Rag Face - Hag Face

Dunno whether seven songs clocking in at less than twenty minutes is a bit short to make this an album, but my end of year list would have felt naked without it.  A caustic, howling monster of a release from this all-female band from Calgary in Canada who make many of the original riot grrrl bands sound like the Singing Nun.  Don't press your face too close to whatever you play it on: it'll have your eye out.

More than worth two dollars of anyone's money from https://hagface.bandcamp.com/album/rag-face 

Sunday, 7 December 2014

Clockwork Orchestra - A Fish For A Heart (Soft Bodies)

An album that began life in the evidently busy mind of Dublin's Paul Mangan (who is, to all intents and purposes, Clockwork Orchestra), A Fish For a Heart operates on the same kind of frantic propulsion that once fed The Cardiacs, yet manages to be very much its own beast.

And a mad beast it is.  While there's a melodically irresistable structure that holds this album together, what happens within it is an excitable mix of twisted instrumental lines and manically yapped vocals.  Compelling yet difficult to fathom tales weave around guitars and strange keyboard sounds, darkening the mood at times ('Thoughtful Thieves', for example) but raising it often enough to ensure the tempo is something akin to a ride on a merryground ride overseen by an operator who's imbibed something his boss doesn't know about and then messed with the controls.

The result is you frequently go into 'extra spin' as on tracks like album opener 'The Generator Girls', whose infectious melody you'll hear opening my Dandelion Radio show this month.

Soft Bodies have had, as usual, the solid good sense to put this out and it's available now on download and CD.  Find out more here

Saturday, 6 December 2014

Top Forty Albums of 2014: 15-11

Another dollop of my favourite music of the year:

15. The Chronicles of Cheeze, Volume V - Lee Negin (Passing Phase)

A regular visitor to these end of year lists.  This is his best yet - an extravaganza of subtly weird electronica.

14. Departure - The Vacant Lots (Sonic Cathedral)

There was so much really good psychedelic rock around in 2014, but few releases matched this: thrills from start to finish.

13.  These Songs Hate You - The Crytearions (Self-released)

Brilliantly savage bandcamp release from an Irish band who I discovered by chance.  Extraordinary noise.

12.  March of the Gremlins - Naram (Jahtari)

Another one from early in the year that's been on regular rotation ever since.  Glorious.

11.  New Codes of the Unfun - Nnevteiga (Self-released)

With this and their 2013 album, Nnevteiga can justifiably claim one of the finest two-album punches of recent years. Twisted noise with just a touch more melody than their previous release.

Thursday, 4 December 2014

Top Forty Albums of 2014: 20-16

Our list of the best albums of the year moves into the top twenty:

20.  Chausse Trappe - Chausse Trappe (Kythibong)

The consistently brilliant French label added to its reputation when it brought us this explosive nerve-shredder of a release.  Noise manipulation at its very best.

19. Rack Attack 2.0 - Molokai (Self-released)

The finest surf guitar album of modern times came from Macedonia, courtesy of a band who had unfortunately already called it a day.  Hate it when that happens.

18.  Mirrors Fold - Gum Takes Tooth (Tigertrap)

Brilliantly evocative psychedelic meanderings from a band to treasure and a label to cherish.

17.  Mirrorism - Mirrorism (Self-released)

Still can't recall how I got hold of this or where it came from.  There's no mirror theme developing here, incidentally, just two damn fine albums that happen to have the word in their titles.

16.  Burn Fire For No Witness - Angel Olsen (Jagjaguwar)

Full marks to Jagjaguwar for pulling their heads out of their arses long enough to release this, from one of those rare magnificent artists who seem keen to use their relative popularity to ensure the world hears more great music.  Saw her at the Green Man Festival this year and that just made me play the album even more.

Top fifteen coming soon.

Monday, 1 December 2014

Top Forty Albums of 2014: 25-21

Continuing my annual countdown:

25. Vatta - DerTANZ (Self-released)

DerTANZ stand out even in the vibrant Hungarian music scene.  This brooding monster offers perhaps the finest example yet of a sound that sees them stand apart from the noisy clarion calls of so many of their excellent compatriots.  DerTANZ are different - embrace them.

24. Flying Ant Day - Tyrannosaurus Dead (Odd Box)

Indie pop with a frenetically caustic edge.  If Odd Box are one of the foremost labels in a fresh and vibrant scene, TD are their standard bearers.

23. The Infinity Dub Sessions - Deadbeat & Paul St Hilaire (BLKRTZ)

Deadbeat and St Hilaire's styles clash magnificently in this pulsing, throbbing musical extravaganza.  

22.  Investigates Strange Weather Patterns & the UFO Cults of Cold War Nevada - The Fucked Up Beat (Self-released)

Erstwhile Daddy Tank sound-twisters strut their stuff independently and produce music that manages somehow to destroy brain cells and expand minds at the same time.

21. Rave Tapes - Mogwai (Rock Action)

They just get better.  Released in January of this year: next instalment in one of music's most engrossing series due in Jan. 2015.

More soon.

Sunday, 30 November 2014

Top Forty Albums of 2014: 30-26

Fuck Off - Good Throb

Before I continue, just a reminder that today is your last chance to cast your vote in the official Festive Fifty at www.dandelionradio.com/festive50.htm.  While you're considering that, here's the third instalment in my annual countdown of the year's best albums:

30.  Crisis-BSP - J CNNR (Tres Catorce)

From Spain, an old favourite who's been away and come back with a massive electronic bang.  

29.  Lands - Piano Chat (Kythibong)

And from France, an album of understated magnificence courtesy of one of the most consistently brilliant labels of recent years.

28.  Fuck Off - Good Throb (Self-released)

Anything but understated, it's so refreshing to hear albums like this that are, on the one hand, expletive-ridden slabs of guitar-hewn noise and, on the other, entirely original.  Recorded on New Year's Day 2014 and still going strong.

27.  No Fun (Not That One) - Mark Wynn (Self-released)

Hard to imagine this guy ever releasing a bad record.  The run continues.

26.  Utility Music - Gyratory System (Soft Bodies)

A track from this was the first thing I broadcast in 2014 and I still love it.

25-21 coming very soon.

Friday, 28 November 2014

Top Forty Albums of 2014: 35-31

Continuing the countdown of my favourite albums of the year.  A reminder that the only chart that really counts is the official Festive Fifty, and you've only got two days left to vote in that at http://www.dandelionradio.com/festive50.htm.

For now:

 35. Drown - Defrag (Hymen)

Crushingly abrasive electronica from an album that received some of the most favourable feedback of the year when I played a track from it.  One hell of a return from this German breakcore powerhouse.

34. Get Rid A Di Wicked - Lutan Fyah (Break Back Productions)

Sublime reggae stylings from a man whose work I really ought to write about more.

33. Mescendugos - Mescendugos (Hudini)

Hungary maintained its position as one of Europe's and the world's finest musical centres this year and the Hudini label certainly played its part.  This rumbling ogre of an album was their best release.

32. Slurpt - Ace Bushy Striptease (Odd Box)

One of those farewell albums that make you realise how much a band is gonna be missed. Superior indie pop.

31.  Everyday Robots - Damon Albarn (Parlophone)

Sometimes you've just got to recognise great music and this is Albarn's best work since Blur.  

30-26 coming soon.


Sunday, 23 November 2014

Top Forty Albums of 2014: Numbers 40-36

I know some people think I start this too early but I like to get my top forty albums of the year out of the way before the festive fifty (which is, after all, the only really important chart of the year) starts its broadcasting cycle, so here goes.  Forty favourite albums of 2014, beginning with the numbers 40-36:

40. Scorched - Dead Fader (Robot Elephant)

Superior scratchy electronica whose position at number forty says something of the quality of what is to come.  2014 started slowly but more than made up for it in its later months.

39. An Actual Thing - Anguish Sandwich (Self-released)

Classy, giving indie a good name and probably only this low due to its appearance so late in the year.

38.  HUM - Futuroscope (Monofunus Press)

Ex-Jagwar Pirates make an impressive racket: repetition in the music, and they use it.

37.  Carnival of Souls - Pere Ubu (Fire)

Massive thanks to my Dandelion Radio colleague Lee Adcock for pointing me in the direction of this stunning return to form.

36.  Clark - Clark (Warp)

His best yet.  Another late in the year release: hear a track from it in my forthcoming December show and marvel at the results of some sublime manipulation of electronic sounds.

Numbers 35-31 coming soon.  As mentioned above, the only chart that really matters is the festive fifty and you have only seven days left to vote in it at http://www.dandelionradio.com/festive50.htm

Wednesday, 5 November 2014

Futuroscope - HUM

Among other things, it's that time of the year for stumbling upon things you really ought to have heard before now.  Such is the case, with this offering from Futuroscope, which came out during that awkward period in early summer when necessity so often prevents me from checking my inbox and the internet every day for fear of missing something.

Which just goes to show, you take your eye of the ball for a few moments and for almost half the year you remain shockingly unaware of something as good as this, a cassette/download release from a French bands containing members that were formerly in the extraordinary good Jagwar Pirates.  And if that doesn't spell out how good it is, allow me to do it for you: this band delivers as crushing a sub-krautrock simultaneous blow to the head and guts as you're likely to find anywhere.

The eight tracks all make you want to drown in the drool you produce on listening to them but, if you'll permit me to pick out some highlights, check out the epic brain-crunch of 'Voyager 1 (Delay Delay Dinosaurs)' and the even longer album-closer 'La Jetee'.   

I'm going somewhere else for my first stab at airplay though.  You can hear opening track 'Moon' in my Dandelion Radio show this month.  It begins with a teasingly long slow burner of an intro, and you wouldn't complain if the entire LP simply took its signature from there, but then it explodes into your head like the kind of fireworks the more uncouth kids down our way somehow get their hands onto, and things get cranked up to an almost impossibly appealing level.  

Wednesday, 29 October 2014

Katie Gately/Tlaotlon - Fat Cat Split Series #23

For the penultimate instalment in their Split 12" Series, Fat Cat dig out one of the most astonishing releases of 2014, bringing together LA-based sound artiste Katie Gately and antipodean electronic manipulator Tlaotlon in an intoxicating marriage of musical ideas.  ‘Marriage’ in its most idealistic sense is probably not the right word, but when applied to the kind of relationship where you smash plates over each other’s heads before generating an impassioned and very loud beast with two backs, it seems entirely fitting.

Last year, Katie wowed us all with her extraordinary ‘Pipes’ release on Blue Tapes', which Dandeilon Radio listeners voted into the top twenty of last year’s festive fifty.  Gately's broad appeal is both reassuring and telling: however challenging her music, it’s easy to find yourself captivated, drawn in and submerged into her blissful soundscapes.  It’s what makes her a unique artist – she can absorb you effortlessly while leaving you gasping at the audacity of it at pretty much the same time.

She’s on similarly fine form here.  ‘Pivot’, like its illustrious predecessor, doesn’t so much give you a tune to listen to as take you on a whole musical journey.  Gately’s tunes can be hummed in the bath (I’ve done it) but they offer so much more: this is music to be immersed in, to surrender to and, if the opportunity presents itself, to build your entire day around.

Tlaotlon offer music of a similar substance but something different all together.  This is electronic music of stunningly detailed intensity, offering rhythms that punish and pulsate in roughly equal measure, fragmented stabs of caustic sounds as opposed to Gately’s bewitchingly weird sonic manipulation.

What they both have is that remarkable awareness of how the world can be simultaneously a very dark and a very beautiful place, together with the rich ability to express this in sound.   It demands to be heard.  I'll be playing the Gately track in my November Dandelion Radio show, which will be streaming from Saturday, and you can cop the rest of it by getting a copy of the release in all its 12” glory or as a download here

21 Songs for John: 21 - Ollo

Ollo – Lord Lucan is Still Missing

The Dodgems' original was a firm Peel favourite back in 1979.  In 2005, the Twelve Apostles label put out an EP of remixes of the song in 2005, including this version by Australian duo Ollo, which reached the dizzy heights of number eight in the One Music festive fifty of that year.  Their most recent album Ape Delay was released this year via the Metal Postcard label.